Thursday, March 31, 2016

A521.2.3.RB The Danger of a Single Story





Hello readers and welcome back the Educated Leadership blog! This week we were privileged to watch a Ted Talk by Chimamanda Ngozi Adichie called, “The Danger of a Single Story” (2009). Ms. Adichie hails from Nigeria and has gained acclaim as a novelist. She tells a story that takes us with her from early childhood through her college years and into the present. Along the way, she realizes how much influence the stories she has read have actually had on her perceptions of others.

As a very young girl in Nigeria, Chimamanda read the books that were available to her. They happened to be tales written in England and the United States. When she began writing stories, around the time she was seven, her stories focused on the characters she had read about. Caucasian kids that played in the snow and drank ginger beer proliferated in her tales. The interesting point was that she had never seen snow and had no idea what a ginger beer even looked like. She didn’t know any other way to write, though.

Her first epiphany occurred when she was given some books by authors from Nigeria and other African countries. For the first time, she realized that people and topics with which she was familiar could be the subject of literature. She looked back and realized the stories from her early childhood were the first dangerous stories she had read. They became her perception of the world, regardless of what she was experiencing. The new stories opened her eyes to a broader existence.

She goes on to relate the interactions she has with her college roommate at a school in the USA. It becomes apparent that the roommate has been exposed to stories about Africa that we all of limited perspective. Chimamanda fields questions about what her “tribal” music sounds like (she grew up a city girl in Lagos) and has to dispel the idea that she may be unfamiliar with a stove and other appliances. The roommate has fallen victim to a single story.

Ms. Adichie goes on to describe other situations where the story of a culture or people she has been exposed to predisposes her to a way of thinking that is proven false upon further investigation. Even as an adult, she gets tripped up by this phenomenon. It is a seductive trap into which we can all fall.
Listening to the presentation, I was reminded of the idea of ‘cultural lenses’ that I learned about during Diversity and Inclusion training. Cultural lenses are the experiences that we collect through the years that impact the way we see the world. The lenses are powerful and can drive us to assumptions. These assumptions are very open to the influence of stereotypes that bolster them. The stories Ms. Adichie read and heard formed pictures of the world for her. It wasn’t until she had other, contrary, experiences that she began to realize her perceptions may not have been based upon complete information.

Personally, I was impacted by this lecture because it made me think about the stories I have clung to that may not give the full picture of a situation. Upon introspection, I could identify a couple right of the bat. The first was about another work group in my building with whom my team and I are having a difficult time working. I realized I need to get more information about issues that are impacting them and to try and learn what cultural lenses may be impacting them and their ability to cooperate.
The US Presidential campaigns jumped to mind, as well. The candidates push their story and their campaign managers ensure their candidates version of the truth gets aired as much as possible. They are banking on the hope we’ll all believe the story they are telling and not ask questions. The media has become the automaton of the political parties, broadcasting whatever is said in order to get ratings. The result is a public that epitomizes being the victim of a single story.

Interestingly, we also learned about the technique of telling a springboard story this week. The springboard is used to provide leadership and vision to a group that a speaker wishes to influence into action or change. (Denning, 2011, p. 60) The springboard, like many kinds of stories, could be an example of the single story about which Ms. Adichie warns us. As leaders, we can prevent that from being the case by authoring stories that provide more than one perspective as springboards. By definition, a springboard is told from the point of view of one protagonist (Denning, 2011, p. 68-69). However, the protagonist can exhibit and extol more than one perspective. That clarity may work to illustrate the breadth of knowledge of the protagonist, possibly eliciting a stronger feeling of trust from the audience.

If you get the chance, I hope you can watch the video. I have posted the link below. 

I showed it to my team today. I will close with the same question with which I closed our meeting, “What single story are you influenced by?”

Until next week….

Adichie, C. N. (2009). The Danger of a Single Story, Ted Global.
Denning, S. (2011). The Leader's Guide to Story Telling - Mastering the Art and Discipline of Business Narrative. San Francisco, CA, Josey-Bass.           




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